A blog formerly known as Bookishness / By Charles Matthews

"Dazzled by so many and such marvelous inventions, the people of Macondo ... became indignant over the living images that the prosperous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears had been shed would reappear alive and transformed into an Arab in the next one. The audience, who had paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many ... decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings."
--Gabriel García Márquez, One Hundred Years of Solitude

Thursday, April 18, 2024

Assault on Precinct 13 (John Carpenter, 1976)

Austin Stoker, Laurie Zimmer, and Darwin Joston in Assault on Precinct 13

Cast: Austin Stoker, Darwin Joston, Laurie Zimmer, Martin West, Tony Burton, Charles Cyphers, Nancy Kyes, Peter Bruni, John J. Fox, Marc Ross, Alan Koss, Henry Brandon, Kim Richards. Screenplay: John Carpenter. Cinematography: Douglas Knapp. Art direction: Tommy Lee Wallace. Film editing: John Carpenter. Music: John Carpenter. 

Jean-François Richet's 2005 remake of Assault on Precinct 13 makes a lot more narrative sense and has a much better cast (Ethan Hawke, Laurence Fishburne, etc.), but it feels routine in comparison with the laconic, low budget original, which John Carpenter admitted was a kind of mashup of Howard Hawks's Rio Bravo (1959) and George Romero's Night of the Living Dead (1968). Which only goes to show that when it comes to thrillers, coherence and slick production values are not the top priorities. Setting the hook is what matters, and Carpenter's movie does that early with a shocker of a scene that almost earned the film an X rating -- one of the rare instances when the ratings board was upset by violence rather than sex. In this case, the film's rough edges and unknown actors somehow add a neo-realist touch to a movie in which the bad guys might as well be zombies or space aliens for all we get to know about them. 

Wednesday, April 17, 2024

Farewell China (Clara Law, 1990)

Maggie Cheung and Tony Leung Ka-fai in Farewell China

Cast: Maggie Cheung, Tony Leung Ka-fai, Hayley Man, Lester Chit-Man Chan, Hung Chun, Jun Liao. Screenplay: Eddie Ling-Ching Fong. Cinematography: Jingle Ma. Art direction: Lee Lok-Si. Film editing: Ma Kam. Music: Jim Shum.

Despite a narrative clotted with flashbacks, some scenes that don't seem to fit, and an unsteadiness of tone, Clara Law's Farewell China remains a vivid, sometimes harrowing look at Chinese immigrants in New York City. Maggie Cheung gives a dazzling performance as Li Hung, who leaves her husband, Zhao Nansan (Tony Leung Ka-fai) and their infant son in China to seek work in New York. When Nansan stops hearing from Hung, he finds his way to the city to search for her. Hayley Man gives a lively performance as a 15-year-old Chinese-American runaway from her family in Detroit, who steals and turns tricks as she aids Nansan in his search through the city's lower depths.  

Tuesday, April 16, 2024

5 Centimeters per Second (Makoto Shinkai, 2007)

Cast: Voices of Kenji Mizuhashi, Yoshimi Kondou, Satomi Hanamura, Ayaka Onoue. Screenplay: Makoto Shinkai. Cinematography: Makoto Shinkai. Art direction: Makoto Shinkai, Film editing: Makoto Shinkai. Music: Tenmon. 

Makoto Shinkai's eye-dazzling, tearjerking anime has many admirers, but I tend to side with the detractors that think the spectacular images overwhelm an insubstantial story of young love frustrated by time and space. Shinkai crafts magnificent settings, creating vivid skies while also paying meticulous attention to mundane details like railway cars and shop interiors, but his human characters are sketchy, even at times kitschy: his little girls have huge eyes like the children in Margaret Keane's paintings. 

Monday, April 15, 2024

My Little Loves (Jean Eustache, 1974)

Martin Loeb in My Little Loves

Cast: Martin Loeb, Jacqueline Dufranne, Ingrid Caven, Henri Martinez, Dionys Mascolo, Maurice Pialat, Pierre Edelman, Marie-Paule Fernandez. Screenplay: Jean Eustache. Cinematography: Nestor Almendros. Film editing: Françoise Belleville, Vincent Cottrell, Alberto Yaccelini. 

A deadpan film about coming of age, which as usual means learning about sex, set first in a French village where such learning is discouraged and then in a French city, where such learning is haphazard. Regarded by many as a masterpiece, though I have my reservations about its lack of narrative drive. Beautifully filmed by Nestor Almendros. 

Sunday, April 14, 2024

Cruising (William Friedkin, 1980)

Al Pacino in Cruising
Cast: Al Pacino, Paul Sorvino, Karen Allen, Richard Cox, Don Scardino, Joe Spinell, Jay Acovone. Screenplay: William Friedkin, based on a novel by Gerald Walker. Cinematography: James A. Contner. Production design: Bruce Weintraub. Editing: Bud S. Smith. Music: Jack Nitzsche. 

Is Cruising deliberately or only accidentally inchoate? It could hardly be anything else, having been attacked before, during, and after its production by the queer community. Its star, Al Pacino, has never been comfortable discussing it, while its creator, William Friedkin, remained on the defensive. At its best, it overturns any expectations we may have about detective thriller movies. When we see cops harassing gay men in the opening of the film, we probably expect those cops to get their comeuppance in the end. When we learn that it's about a serial killer preying on the leather community, we expect the killer to be found and disposed of, probably violently, at the end. When we see a straight cop (Pacino) chosen to go undercover in that community, we expect him to solve the case but stay straight. That would be the course of the conventional movie. But none of that quite happens. Instead, we are left with ambiguities, inspiring a small industry of commentary that persists today. It's probably best to regard Cruising as a period piece: a document of attitudes, from outrage to ambivalence to acceptance, toward gay men in America just before the outbreak of AIDS. 

Saturday, April 13, 2024

Born to Be Bad (Nicholas Ray, 1950)

Joan Fontaine and Robert Ryan in Born to Be Bad
Cast: Joan Fontaine, Robert Ryan, Zachary Scott, Joan Leslie, Mel Ferrer, Harold Vermilyea, Virginia Farmer. Screenplay: Edith Sommer, Charles Schnee, based on a novel by Anne Parrish. Cinematography: Nicholas Musuraca. Art direction: Albert S. D'Agostino, Jack Okey. Film editing: Frederic Knudtson. Music: Friedrich Hollaender. 
 

Friday, April 12, 2024

Mambar Pierrette (Rosine Mfetgo Mbakam, 2023)

Pierrette Aboheu Njeuthat in Mambar Pierrette

CastPierrette Aboheu Njeuthat, Marguerite Mbakop, Duval Franklin Nwodu Chinedu, Léonce Sonia Bangoub, Chamard Yotchou, Chimène Aboheu, Claire Hiencheu, Marie Noël Nimendeu, Emmanuel Keutagna. Screenplay: Rosine Mfetgo Mbakam. Cinematography: Finoa Braillon. Film editing: Geoffroy Cernaix. 

Thursday, April 11, 2024

House of Pleasures (Bertrand Bonello, 2011)

 

Cast: Noémie Lvovsky, Hafsia Herzi, Céline Sallette, Jasmine Trinca, Adèle Haenel, Alice Barnole, Iliana Zabeth, Xavier Beauvois, Louis-Do de Lencquesaing, Jacques Nolot. Screenplay: Bertrand Bonello. Cinematography: Josée Deshais. Production design: Alain Guffroy. Music: Bertrand Bonello. 

Wednesday, April 10, 2024

Phase IV (Saul Bass, 1974)

Nigel Davenport, Michael Murphy, and Lynne Frederick in Phase IV

Cast: Nigel Davenport, Michael Murphy, Lynne Frederick, Alan Gifford, Robert Henderson, Helen Horton. Screenplay: Mayo Simon. Cinematography: Dick Bush. Art direction: John Barry. Film editing: Willy Kemplen. Music: Brian Gascoigne. 

Tuesday, April 9, 2024

Comrades: Almost a Love Story (Peter Ho-Sun Chan, 1996)

Maggie Cheung and Leon Lai in Comrades: Almost a Love Story

Cast: Maggie Cheung, Leon Lai, Eric Tsang, Kristy Yeung, Christopher Doyle, Tung Cho "Joe" Cheung, Irene Tsu, Yu Ting, Michelle Gabriel. Screenplay: Ivy Ho. Cinematography: Jingle Ma. Production design: Chung-Man Yee. Film editing: Ki-Hop Chan, Chi-Leung Kwong. Music: Tsang-Hei Chiu. 

Monday, April 8, 2024

The Place Promised in Our Early Days (Makoto Shinkai, Yoshio Suzuki, 2004)


Cast: Voices of Hidetaka Yoshioka, Masatao Hagiwara, Yuka Nanri, Unsho Ishizuka, Kazuhiko Inoue, Risa Mizuno, Hidenobu Kiuchi. Screenplay: Makoto Shinkai. Cinematography: Makoto Shinkai. Art direction: Takumi Tanji. Film editing: Makoto Shinkai. Music: Tenmon. 

Sunday, April 7, 2024

The Zone of Interest (Jonathan Glazer, 2023)


Cast: Christian Friedel, Sandra Hüller, Johann Karthaus, Luis Noah Witte, Nele Ahrenmeier, Lili Falk, Medusa Knopf, Maximilian Beck, Andrey Isaev, Stephanie Petrowitz, Imogen Kogga. Screenplay: Jonathan Glazer, based on a novel by Martin Amis. Cinematography: Lukasz Zal. Production design: Chris Oddy. Film editing: Paul Watts. Music: Mica Levi. 

Saturday, April 6, 2024

The Mother and the Whore (Jean Eustache, 1973)

Jean-Pierre Léaud, Bernadette Lafont, and Françoise Lebrun in The Mother and the Whore

CastJean-Pierre Léaud, Bernadette Lafont, Françoise Lebrun, Isabelle Weingarten, Jacques Renard, Jean-Noël Picq, Jessa Darrieux, Berthe Granval, Geneviève Mnich. Screenplay: Jean Eustache. Cinematography: Pierre Lhomme. Film editing: Denis de Casabianca, Jean Eustache.

Friday, April 5, 2024

Akira (Katsuhiro Otomo, 1988)


Cast: Voices of Mitsuo Iwata, Nozomu Sasaki, Mami Koyama, Taro Ishida, Tessho Genda, Mizuho Susuki, Tatsuhiko Nakamura, Fukue Ito, Kazuhiro Shindo, Yuriko Fuchizaki, Masaaki Okura, Takeshi Kusao, Hiroshi Otake. Screenplay: Katsuhiro Otomo, Izo Hashimoto, based on a manga by Otomo. Cinematography: Katsuji Misawa. Production design: Kazuo Ebisawa, Yuji Ikehata, Hiroshi Ono. Film editing: Takeshi Seyama. Music: Shoji Yamashiro. 

Thursday, April 4, 2024

Sorcerer (William Friedkin, 1977)


Cast: Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou, Ramon Bieri, Karl John. Screenplay: Walon Green, based on a novel by Georges Arnaud. Cinematography: Dick Bush, John M. Stephens. Production design: John Box. Film editing: Robert K. Lambert, Bud S. Smith. Music: Tangerine Dream.  

Wednesday, April 3, 2024

Oppenheimer (Christopher Nolan, 2023)

Cillian Murphy in Oppenheimer

Cast: Cillian Muphy, Emily Blunt, Matt Damon, Robert Downey Jr., Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek, Kenneth Branagh, Benny Safdie, Jason Clarke, Dylan Arnold, Tom Conti, James D'Arcy, David Dastmalchian, Dane DeHaan, Alden Ehrenreich, Tony Goldwyn, Jefferson Hall, David Krumholtz, Matthew Modine. Screenplay: Christopher Nolan, based on a book by Kai Bird and Martin Sherwin. Cinematography: Hoyte Van Hoytema. Production design: Ruth de Jong. Film editing: Jennifer Lame. Music: Ludwig Göransson. 

Tuesday, April 2, 2024

Caged (John Cromwell, 1950)

Eleanor Parker in Caged

Caged: Eleanor Parker, Agnes Moorehead, Hope Emerson, Ellen Corby, Betty Garde, Jan Sterling, Lee Patrick, Oliver Deering, Jane Darwell, Gertrude Michael, Sheila MacRae. Screenplay: Virginia Kellogg, Bernard C. Schoenfeld, based on a book by Kellogg. Cinematography: Carl E. Guthrie. Art direction: Charles H. Clarke. Film editing: Owen Marks. Music: Max Steiner. 

Monday, April 1, 2024

The Harder They Come (Perry Henzell, 1972)

Jimmy Cliff in The Harder They Come

Cast: Jimmy Cliff, Janet Bartley, Carl Bradshaw, Ras Daniel Hartman, Basil Keane, Bob Charlton, Winston Stone, Lucia White. Screenplay: Perry Henzell, Trevor D. Rhone. Cinematography: Peter Jessop, David McDonald, Franklyn St. Juste. Art direction: Sally Henzell. Film editing: Reicland Anderson, John Victor Smith, Richard White. Music: Jimmy Cliff, Desmond Dekker, The Slickers. 

Sunday, March 31, 2024

Gothic (Ken Russell, 1986)

Myriam Cyr, Julian Sands, Gabriel Byrne, and Natasha Richardson in Gothic
Cast: Gabriel Byrne, Julian Sands, Natasha Richardon, Myriam Cyr, Timothy Spall. Screenplay: Stephen Volk. Cinematography: Mike Southon. Production design: Christopher Hobbs. Film editing: Michael Bradsell. Music: Thomas Dolby. 

Saturday, March 30, 2024

Days of Being Wild (Wong Kar-Wai, 1990)

Leslie Cheung and Maggie Cheung in Days of Being Wild

Cast: Leslie Cheung, Andy Lau, Maggie Cheung, Carina Lau, Rebecca Pan, Jacky Cheung, Tony Leung Chiu-wai. Screenplay: Jeffrey Lau, Wong Kar-Wai. Cinematography: Christopher Doyle. Production design: William Chang. Film editing: Kai Kit-Wai, Patrick Tam. Music: Terry Chan.